Recorders:
Sound Devices 888
Sound Devices MixPre6

Shotgun Microphones:
Schoeps CMIT 5U
Sennheiser MKH60
Sanken CS3

Boom:
Ktek 16’
Ktek 10’
Zeppelin and Windjammer (aka “dead cat”)

Wireless Microphones:
Various Lectrosonics 411s systems
6 Total
Sanken COS11 Lavaliers
Wireless handheld capability

Timecode:
Deneke TS C Compact Smartslate
2 Tentacle Sync
Ambient ACN Tiny Lockit

Comtek IFB monitoring system:
M-216 Portable Transmitter
BST 75-216 Mini base Transmitter
3 Receivers owned, additional available

PSC Antenna distribution system
(for better wireless range)

Neumann Stereo pair:
For high quality stereo ambience/sound effects, live music accompaniment, orchestral/classic music recording

Rechargeable batteries, cables, countless accessories

Fender Passport PD-250 PA system (for live sound reinforcement)

Over 15 years of experience with location audio mixing, boom operating, lav placement and other various applications.

Commercial, Documentary, Industrial, Narrative (short and long), Web, Run-n-Gun, Corporate video, Corporate presentation (panel discussions), Livestream, Live Music and Theatre, Orchestral recordings.

Experience with sound reinforcement and live mixing to avoid feedback.

Standard sound package includes: Sound Devices recorder, 2 Wireless mics, Timecode slate and lockit, 2 IFB Comtek receivers.

Vehicle-owner; self-reports to most locations in Tri-state area.

Knows many tricks of the trade: including how to politely ask people to be quiet and quiet the environment around the recording.

Substantial Post-Production background: knows what sounds are more problematic vs noise that can be more easily removed.

Extensive knowledge of the entire process of filmmaking.

Knowledge of camera lenses, crop frames and extensive experience following camera, conversations and keeping the boom out of the frame!